The Stranger (1946) 1080p YIFY Movie

The Stranger (1946) 1080p

The Stranger is a movie starring Orson Welles, Edward G. Robinson, and Loretta Young. An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi.

IMDB: 7.42 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 1.79G
  • Resolution: / fps
  • Language: Spanish
  • Run Time: 96
  • IMDB Rating: 7.4/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 6

The Synopsis for The Stranger (1946) 1080p

Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.


The Director and Players for The Stranger (1946) 1080p

[Role:]Philip Merivale
[Role:]Loretta Young
[Role:Director]Orson Welles
[Role:]Orson Welles
[Role:]Edward G. Robinson


The Reviews for The Stranger (1946) 1080p


I'm traveling for my healthReviewed byCelluloidRehabVote: 7/10

I picked up this movie, mostly because of the cover and the price ($4). I was happily surprised as to the quality of the movie.

The story takes place after the end of World War II. Edward G. Robinson plays a government official named Mr. Wilson. He is in charge of the Allied War Crime commission. He is looking for an elusive war criminal. His name is Franz Kindler (Orson Welles). He is suppose to be the one who came up with the Nazi plan of mass annihilation. There is no evidence, nor any photographs of Kindler. To find Franz, Wilson releases Kindler's assistant (Konrad). Konrad inadvertently leads Wilson to Harper, Connecticut. Kindler is hiding out at an all boys school as a professor named Charles Rankin. Konrad arrives on Charles' wedding day. He is getting married to the daughter of a liberal Supreme Court justice.

This movie is definitely film noir, in the lighting and the grittiness of the events. It is also quite evident that this movie was directed by Welles himself. If you have seen any one of his movies, you can see how he functions. The story is enjoyable, if not slightly predictable (especially if you have seen other film noir films or have listened to any golden age radio programs). Overall, it is nice to see Edward G. Robinson playing the good guy for a change. I also thought Billy House had a standout performance as Mr. Potter (the owner of the local general store). He provides most of the comedy relief. I highly recommend this movie for fans of Edward G. Robinson, Welles or the film noir genre.

-Celluloid Rehab

Vastly underrated Welles - one of his best films, one of the best thrillers everReviewed byzetesVote: 10/10

The Stranger is a little slow to start. Edward G. Robinson, playing a war crimes detective named Wilson, lets loose one of the right-hand men of an important Nazi war criminal named Franz Kindler (Orson Welles) who escaped prison and managed to erase his identity. He was the mastermind behind the concentration camps. No photographs exist of him, and only this goon might know where he is. Wilson tracks the goon to a small town in Connecticut, where Franz Kindler is posing as a history professor about to marry the daughter of an important politician. Immediately the goon disappears, but the professor arouses Wilson's suspicion.

After the setup is over, The Stranger bolts ahead at a breathless pace. All the clues point to the professor, though there is nothing definitive. When his wife, Mary, finds out (played by Loretta Young), she refuses to believe it. Kindler feeds her a nice lie explaining everything, and she's desperate to believe it. He's not sure that he can trust her.

Welles pulls a ton of suspense out of the situation. He's so good at creating points of tension out of both the simplest means, like a group of college boys on a paper chase, a dog who won't stop digging in the leaves, or something much more gothic, like the ancient, broken-down clock in the church tower. Kindler was an expert on clocks (which is one of the biggest clues), and when he revives this old monster, an iron angel with a sword chases away the devil and then rings the bell to the hour. To get to the top of the tower, an extraordinarily tall ladder must be climbed. This leads to as much or more suspense as existed in the cognate scenes in Hitchcock's Vertigo. In fact, I'm sure Hitchcock watched and liked this film. Everyone knows he admired Welles' later Touch of Evil, which he mimicked in his own Psycho, so why not this film?

The acting is quite brilliant as well. We would expect it from Orson Welles, of course. This is actually one of his very best roles. He is amazing at telling believable lies to his wife and friends, but with the dramatic irony in which the audience is in possession, we see the depth and the nervousness and the evil. Edward G. Robinson has a pretty thankless role for a long time, but nearer the end he begins to expand. We cringe when he coldly suggests that Mary is in mortal danger. He is simply great in the climactic scene (which I won't mention except to say that it is one of the best in film history, although some might find it a bit silly). Loretta Young is also great as a naive wife who so desperately wants to be the perfect wife and believe everything her husband says. If this movie were to be remade today, her character would have been developed further psychologically, but what is here is good. She is also great in the climactic sequence.

Welles' films often have thriller elements, but this is his most thrilling. It's also probably his least philosophical, and almost certainly his most conventional. He made the film as a concession. I think he was allowed to make The Lady of Shanghai in return, which is an even better film than this. That is no matter, though. It's a masterpiece anyway. 10/10.

Orson Welles' third picture about a Nazi war criminal hidden as a prep school teacher and newly married to an innocent womanReviewed byma-cortesVote: 7/10

Infamous Nazi war criminal called Franz Kindler (Orson Welles) assumes a new respectable identity in a Midwestern little town following WWII , unaware that a government agent (Edward G. Robinson) from the Allied War Crimes commission patiently stalks him . But his name is fake and his past is tenebrous . The escaped Nazi sedately living and is about to marry a beautiful as well as unsuspecting young woman (Loretta Young) , daughter of a prestigious judge (Philip Merivale) . But later on , Kindler feels his past closing in and he will need his own spouse to help him elude capture .

Interesting Welles movie with plenty of thrills , fine character studio , terrific interpretations and suspense from start to finish . It holds the viewer's interest but admittedly has some flaws , naive moments and wobbles . But it is studded with splendid scenes like the furtive flight across the dockyards at the beginning , the killing in the forests and the final confrontation on the clock tower including the sword wielded mechanical figures that move when the hour begins to strike . The vast New England town exterior sets, including the church with its 124-foot clock tower, were constructed in Hollywood on the back lot of the United Artists studio located on Santa Monica Blvd . Shocking scenes when are shown images about Nazi crimes , in fact it was the first mainstream American movie to feature footage of Nazi concentration camps following World War II . Nice acting by Orson Welles as a Nazi criminal who feels fascination with antique clocks and sedately esconsced in a small Connecticut town when an investigator is tailing him . Edward G. Robinson is perfect as a Federal agent out to get him . However , Orson Welles originally wanted Agnes Moorehead to play the FBI part , then the studio said no and instead gave him Edward G. Robinson . Furthermore , Loretta Young as attractive wife and Richard Long as brother give nicely understated interpretations . Suspenseful and thrilling musical score by Bronislau Kaper . Extremely well made camera-work throughout ; being shot in black and white filled with lights and darks by excellent cameraman Russell Metty . It is also available in horrible computer-colored version .

¨The stranger¨ was efficiently produced by Sam Spiegel and well directed by Orson Welles in 95 minutes runtime , being the only film directed by him to show a profit in its original release . However , Orson has stated that this is his least favorite of his films . Welles was a genius who had a large as well as problematic career . In 1938 he produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" . His first film to be seen by the public was ¨Ciudadano Kane¨ (1941), a commercial failure , but regarded by many as the best film ever made , along with his following movie , ¨The magnificent Ambersons¨ . After that , he directed this ¨The stranger¨ with an over-pitched acting by the same Welles and often described as his worst . He subsequently directed Shakespeare adaptation such as ¨Macbeth¨ , ¨Othelo¨ and his highly enjoyable ¨Chimes at Midnight¨ or ¨Falstaff¨ . He also performed a lot of films , Orson Welles interpreted for getting financing to shoot his pictures , as he played several exotic characters such as ¨The Tartari¨ , ¨Saul¨ , ¨Cagliostro¨ , ¨Cesare Borgia¨ and ¨Black rose¨ . Many of his next films were commercial flops and he exiled himself to Europe in 1948 . In 1956 he directed ¨Touch of evil¨ (1958) ; it failed in the U.S. but won a prize at the 1958 Brussels World's Fair . In 1975, in spite of all his box-office failures , he received the American Film Institute's Lifetime Achievement Award , and in 1984 the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award . His reputation as a film maker has climbed steadily ever since .

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