Modern Times (1936) 1080p YIFY Movie

Modern Times (1936) 1080p

Modern Times is a movie starring Charles Chaplin, Paulette Goddard, and Henry Bergman. The Tramp struggles to live in modern industrial society with the help of a young homeless woman.

IMDB: 8.52 Likes

  • Genre: Comedy | Drama
  • Quality: 1080p
  • Size: 1.67G
  • Resolution: / fps
  • Language:
  • Run Time: 87
  • IMDB Rating: 8.5/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 0

The Synopsis for Modern Times (1936) 1080p

Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.

The Director and Players for Modern Times (1936) 1080p

[Role:]Tiny Sandford
[Role:]Paulette Goddard
[Role:]Henry Bergman
[Role:Director]Charles Chaplin
[Role:]Charles Chaplin

The Reviews for Modern Times (1936) 1080p

Good oneReviewed bycarljessiesonVote: 8/10

I love these black and white, old classics! Why does it seem like they did more with their films when they had less technology available to them? They don't have that ~Hollywood Magic~ that does their effects for them, it was all camera tricks and carefully strategized, one-chance-to-get-the-shot filmmaking and it is beyond impressive.

I enjoyed watching this! Full of cool and clever special effects and plenty of moments to make you laugh. Chaplin did such a good job of creating such a silly little character. The story was creative and fascinating, with imaginative concepts and energetic cinematography. It was a fun watch for sure. Delightfully absurd, yet it did give voice to the woes of unemployment and the voracious appetite of capitalism at the price of some disposable human equipment. Silliness with a sting. I recommend it!


Bye love you

Modern TimesReviewed byWhitney OrndorffVote: 7/10

Modern Times exemplifies Depression-era America; a stream of disappointments, tattered dreams and missed chances that attempt to drag the characters down, but are defied by the ever buoyant hope of the American Dream.

Scenes from Modern Times aptly capture the mood of America in the late 1930's; men superimposed by sheep shuttled into a waiting line, workers being pushed to go faster and faster, eventually consumed by the very machine they deigned to control. Yet elements of optimism shine through the weary film-Chaplin and his gamin dream of a home of their own, with cows ready to be milked and steaks crackling on the stove. Though their reality-a depilated shack "Is no Buckingham Palace" the two are able to sustain themselves on the "American Dream" of a more secure, fruitful life.

Several aspects of the film called to mind a 1984-type reality (Though 1984 was written in 1949, 13 years after the birth of Modern Times) including the large two way screen in the factory, allowing the owner to be "Big Brother" to the workers as well as the police brutality and Ford factory line of men and machine.

The film ends appropriately; dusty and bruised from pursuit, hardship and hunger, Chapin and his orphan girl head of hopefully into the sunset, convinced of a better reality awaiting them on the sun's return; a hope shared by many in America's Modern Times

Always modernReviewed by1966nmVote: 10/10

Somehow, this very old film is particularly modern today and the exaggerations are not really sooo extreme compared with the real world. The humans, enslaved by the machines and by those who control them, become more and more small and insignificant, like the hero of this very funny comedy (one of the best in the history) that speaks about very ugly things in a very amusing way. The Tramp, is not a tramp in the beginning. He has a real job in a modern factory, that almost kills him, as the factory becomes more and more modern. He becomes a tramp when he stays without a job. Picking up red flags in the street can get you in a big problem with the police, who are there to serve and protect the rich. An honest man can stay honest even in prison and get benefits from this. Even a new job. But honesty is not really enough. Trouble is always around the corner and modern society doesn't permit you to make a new start easily.

Love gives you wings, or at list hope and the power to continue. A beautiful girl of the streets is more than our hero is asking for and he is ready to do whatever necessary. Even put his safety in danger to take care of her. And she, appreciates this. In the end, when everything is lost once again, all they are left with, is each other and that's all they really need.

For the first time is his cinema career, our Tramp will find a girl that will stick with him and support him. (Chaplin obviously felt with Paulette Goddard something that he didn't feel for his earlier women, and I don't blame him).

And this story of modern times, like all of Chaplin's films will end up with an optimistic feeling in a unhappy end. Never is everything lost.

With obvious inspiration from Fritz Lang's "Metropolis" and maybe René Clair's "à nous la liberté", it made the strongest point about THE where we 're going, in all the cinema of the 30's (I think) 8) and with only Marx bros' "Duck soup" being able to stand anywhere close to it. Maybe the most complete, funny and mature creation of the best comedian of the seventh art, with a lot more than a non stop production line of great jokes to offer. If made without a single joke, this film would still be one of the greatest of all of our modern times.

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