Iceman (2014) 3D YIFY Movie

Iceman (2014) 3D

An imperial guard and his three traitorous childhood friends ordered to hunt him down get accidentally buried and kept frozen in time. 400 years later passes and they are defrosted continuing the battle they left behind.

IMDB: 4.84 Likes

  • Genre: Action | Comedy
  • Quality: 3D
  • Size: 1.67G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 104
  • IMDB Rating: 4.8/10 
  • MPR: Normal
  • Peers/Seeds: 6 / 7

The Synopsis for Iceman (2014) 3D

During the Ming Dynasty four orphans; Ying, Sao, Yuanlong and Niehu are raised in Taoyuan Village and become close to being brothers. Their exceptional martial arts skills allows them to reach the highest rank within the imperial guards. After a successful attempt to kill a Japanese troop leader, the Emperor orders Ying to escort the Golden Wheel of Time from Sindu back to the capital, which is said to have the power of time travel and foresee into the future. From the correspondence between Japanese and Ming officials seized from the mission, Mr. Tu - the Chief of National Defence - reveals that he can identify the traitor by the handwritings. On the way of escorting the Golden Wheel of Time in the snow, Ying is surprisingly confronted by Sao, Yuanlong and Niehu. They inform Ying the news of the murder of Tu's family with Ying as the killer. The Emperor believes that Ying killed Tu in order to conceal his identity as the traitor, and orders to have Ying and his clan killed. With the ...

The Director and Players for Iceman (2014) 3D

[Director]Wing-cheong Law
[Role:]Donnie Yen
[Role:]Shengyi Huang
[Role:]Baoqiang Wang

The Reviews for Iceman (2014) 3D

Fails on all levelsReviewed bytenshi_ippikiookamiVote: 1/10

"Iceman" is a movie that doesn't make sense at all, and it doesn't even seem to be trying. It feels like a couple of friends got drunk together and decided to mix some scenes from the garbage bin where bad ideas go to rest.

The story seems to be a fantasy action comedy, but please, someone explain what all means. Donnie Yen's Ho Ying wakes up after 400 years and decides to go to the toilet and then run away, crash a party of young people and make a friendship with a young woman called May. At the same time, a couple of his classmates from the army have also woken up and are trying to find him, because they believe he betrayed them. Also a very shady Simon Yam (what else could he be playing?) is trying to catch all three of them and will do anything to do so. Why? It doesn't really matter because the movie isn't even trying. The direction is lifeless, the plot all over the wall, the ceiling, the floor and somewhere else, and the acting is all kinds of over-the-top-really-we-don't-know-what-acting-means variety. If that wasn't enough, the action is lame, the CGI sub-par and the comedy goes for the not-even-on-the-level-of-juvenile kind of. Oh, and Donnie Yen seems to be half- asleep all movie through. Did this idea make sense in the scriptwriters' heads? One has to wonder, because on the screen... nope, not at all.

"Iceman" is horrible on all levels. An incredible, horrible mess.

Hide your Kittens and Put on your Mittens - this Film may Leave you Feeling ColdReviewed byDerek Childs (totalovrdose)Vote: 6/10

I have always had a fascination with fantastical time travel scenarios, where someone from the past is thrust into the present, inevitably resulting in action sequences where ancient weapons and skills are matched by modern technology. Greatly dissimilar to other features, Iceman (not to be mistaken for The Iceman) could have potentially taken an approach comparative to the film Highlander, a number of the narrative's decisions failing to effectively work.

Donnie Yen portrays Ying, an honorable soldier in the Emperor's army during the Ming Dynasty. Tasked with acquiring an ancient artifact, with the capacity to travel through time, he is framed for murder and treason, during which he, and his adversaries, are trapped beneath an avalanche of snow. Miraculously, Ying is awoken in the twenty first century from prolonged hibernation, caused by this event. An explanation regarding this is never provided, however, it is at the same time unnecessary, the film's pace relying more on action, than on rationalization.

Ying finds himself in the middle of a conspiracy that includes a number of powerful individuals, their involvement, and the lengths of its influence, never been entirely fleshed out. Unfortunately, Ying is not the only soldier awoken, with his adversaries prowling the streets as well, in the hopes of not only acquiring the legendary artifact, but on obtaining their long sought revenge. The skills of these ruthlessly trained soldiers of old are impressive, none in the twenty first century having the ability to match their strength. At the same time though, the action sequences are potentially not as frequent as you might imagine. Though short lived, the action scenes offer the viewer some outstanding imagery that is as entertaining as it is well executed.

During his initial few hours of awakening, Ying bumps into May (Shengyi Huang), who, in a drunken stupor, unwittingly invites him into her life. The misadventures Ying encounters while attempting to adjust to the new world with May, alongside the personal problems she is dealing with, offers the film both drama and heart, not to mention its most beautiful feature. Ms. Huang's performance generates a vulnerable character, as intelligent as she is uncertain, and as beautiful as she is in need of saving, though she does prove herself to be a very capable young woman. The friendship, trust and feelings generated between these two characters makes for an impressive story in itself, though at times, this exceptional subplot is lost between the film's attempts at humor.

Although Iceman is, categorically, an action film, the combined humor refuses to cooperate with the seriousness of the plot, and therefore causes a number of conversations and stereotypical slapstick moments to feel dramatically out of place. There's a moment when Ying produces explosive feces, and another occasion when he's flatulent in an elevator, and let's not forget the crude humor surrounding a certain part of the male anatomy. Strangely enough, a number of these latter references are logically incorporated, although why the filmmakers didn't attempt to use references that were not quite as peculiarly vulgar, is unknown. This illogical immaturity is irresponsibly childish in a film clearly directed towards older audiences.

Lastly, the final moments of Iceman prove to be as stirring as they are eye catching, and though no conclusion is offered, this climatic finish will definitely leave you on the edge of your seat. By the time the film comes to a close however, is it too late to reel in viewers for further adventures? Here's hoping the potential sequels focus more on drama and action, rather than on, what can only be described as, painfully obtuse humor.

'80s fantasy action reworked as a lowbrow comedyReviewed byLeofwine_dracaVote: 3/10

ICEMAN is Donnie Yen's much-lauded remake of the Yuen Biao-starring '80s martial arts classic, THE ICEMAN COMETH. It sees Ming bodyguard Yen and a couple of his foes frozen in time and transported to the present day, where they continue their battle to the death while coming to terms with modern-day society.

I thought the original film was pretty good, with the reliable Yuen Wah as the villain and some great action, although it's not a favourite of mine. However, it's far, far better than this unfocused and messy comedy which sees Yen at his very worst. It's similar to THE EMPEROR AND THE WHITE SNAKE in that all of the action is augmented with endless wirework and dodgy CGI which makes for a very boring viewing experience overall. My favourite Yen films are the realistic ones like IP MAN and FLASH POINT, not the stupid CGI fantasy on offer here.

ICEMAN is overlong and overly pointless, with lots of random scenes that don't go anywhere. It's also offensive, with gross-out lowbrow comedy seemingly shoehorned in at random, and ethnic stereotypes cast throughout as the villains. Yen is on autopilot, as is Simon Yam, but the rest of the cast are plain awful. Particularly Huang Shengyi (THE EMPEROR AND THE WHITE SNAKE); I really can't understand how she keeps getting work as an actress.

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