Denis Villeneuve, whose last two films were the hugely impressive Incendies and Prisoners, has concocted a real oddity here. If you can imagine David Lynch adapting a Kafka novel, then you will be in the right neighborhood! In Incendies and Prisoners,Villeneuve inserted serious moral and social issues in the context of first rate thrillers' Here he follows the same tradition but the tone is more abstract and absurd. Neverherless, Enemy, adapted from a novel by the Nobel prize winner Jose Saramago, is always gripping and totally fascinating. A man (Jake Gyllenhaal) gets a recommendation from a colleague to watch a particular video. The main actor in the video appears to be his doppelganger and the two agree to meet. To reveal any more would lessen the enjoyment of this highly original film. Well worth catching.
Enemy (2013) 1080p YIFY Movie
The Synopsis for Enemy (2013) 1080p
A man seeks out his exact look-alike after spotting him in a movie.
The Director and Players for Enemy (2013) 1080p
The Reviews for Enemy (2013) 1080p
Kafka meets Lynch!Reviewed bycorrosion-2Vote: 7/10
First thing that came to mind about this movie is, how much it reminds me of Kubrick's: Eyes Wide Shut. It's surrealism, it's ambiance, atmosphere and the theme nonetheless. The movie is beautifully woven together into a magical and complete world of it's own. In which some people who saw the film lost themselves and found it frustrating, and others found a magical way of portraying the character's mind. I must admit, I am one of the latter. MY TAKE ON THE MOVIE: 1. THEME: The man lost in a world of his own choices, his own desires and vices. A constant struggle in every man's life, mind, heart. A world in which every man watching it, realizes, it is he himself, who is his worst enemy. 2. CHARACTERS: It is one person and two faces of the same man, as the poster itself portrays. The story itself tells you that in the scar aspect of the confrontation, where there is no doubt that they are no twins, that there is no way of thinking it can be a different person. Also his mother tells him to "stop dreaming about that acting hobby of yours". 3. "REALITY": What people watching want to do first, is construct a realistic world of it. And it's not. Watch it as a dream. Plenty of those tips and leads are left by the director to take you there (note for example the giant spiders strutting about the city landscape, the photography of the movie, etc.). 4. STORY: The beginning of the movie shows a pregnant wife, that of a man (both men/main characters)! It is a part of him that wants to escape. That webbed, trapped part and therefore create an alter ego, another self in which he can try to live out a different reality. A reality of a free sexual drive and ego. A reality without his wife. And in that urge and desire, the visuals of a crushed spider is always appear. (spiders being a symbol of his wife and the symbol of his relationship and commitment). Therefore the teacher part is that part in which he can freely cheat on the wife. Note that the teacher's girlfriend is always leaving him in the middle of the night, never staying for the night. There is also mention of his cheating by his wife, when she asks him "you're seeing her again, aren't you", after he was on the phone. He can be a free man without any guilt, but with that also comes the aftermath of such a life, no real purpose in his life, no satisfaction (his appearance and his almost depressed psychological state portray this part). His apartment also tells the story of this, empty, unfurnished, almost as a hotel room, just a usable space. So his free, able to cheat part is seeking something more in life, someone that he can relate to, in effect, seeking his other self's wife and life. And the other part of him, married and bound is searching for the sexual adventures, ego and freedom. That's why the switch comes to place. In the end, as one part of a man dies, the other is left with a "chosen reality". A choice every man has to make. He makes love to his wife, takes the place of a married man, and becomes solely that. And with that, he chose to confront the spider that is his commitment and his wife. But the lure of the key left behind is always there...
"Enemy" is the latest movie from Canadian filmmaker Denis Villeneuve, of "Prisoners" fame. It is a doppelganger story about a boring, gray man that discovers there is a cool, fancy actor that looks exactly like him. Exactly. Of course, he can't resist getting in touch with him, and of course that's where trouble begins. Its twisted plot, visual features and philosophical themes have earned it a "what the heck" fame. This movie is total chaos. This is me trying to decipher it. NOTE: This is just a summary, for my full review please visit: bit.ly/1eVEtD6 Adam and Anthony are two sides of the same person. This is a man who feels trapped by his present as a boring, married, college professor about to become a father. He remembers his old dreams of youth (being an actor, having a cool bike, being a "man"). Spiders in the movie represent the "woman as a trap" in his mind, commitment that represses his individuality. He gets carried away and leaves her wife and life for an adventure with another woman. This is represented by the initial private club scene where a stripper (his instinct) crushes a spider (the burden of his marriage and child). He lives as an empty shell during this affair (memories stuffed in boxes in the back of his mind, torn pictures of his past representing the disconnect from his wife). He reminisces of his old life (represented as his finding and research of his doppelganger and his household). He does not like what he sees when he discovers his impulsive self. We learn he left aside his dreams for his wife (six months without visiting the acting agency, six months pregnant). He is reminded by his mother (his conscience) of what really matters and what he has. Finally, he decides to return to his wife after an internal struggle where his instincts and his sense of responsibility fight to death. This death of his passionate, independent self is depicted literally as a car crash that kills his desire and ends with the close-up of a spider-web. He is trapped again. His responsible self has dominated. But he is bound to make the same mistakes all over again. He finds and decides to use the key to the private club, darker desires come back to haunt him. And the cycle starts over again, in Hegelian form, repressing the self for the collectivism.